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NAME: Angela Ferreira †¨ STUDENT NUMBER: 543939†¨ COURSE: FVPA†¨ ASSIGNMENT: Assignment one Stuart Hall: the work of representation†¨ DUE DATE: 12 March TUTOR NAME: Amanda Mullins Plagiarism declaration†¨ I know that plagiarism is wrong. Plagiarism is to use another’s work and to pretend that it is one’s own.†¨ I have used the author date convention for citation and referencing. Each significant contribution to and quotation in this essay from the work or works of other people has been acknowledged through citation and reference.†¨ This essay is my own work.†¨ I have not submitted this work, or a substantial portion thereof, for assessment previously.†¨ I have not allowed and will not allow anyone to copy my work with the intention of passing it off as his or her own work.†¨ I have done the word processing and formatting of this assignment myself. I understand that the correct formatting is part of the mark for this assignment and that it is therefore wrong for another person to do it for me. —————Angela Ferreira—————————- Signature†¨Ã¢â‚¬ ¨12 March 2014 ———————————– Date Angela Ferreira Student number: 543939FVPA ASSIGNMENT 1 STUART HALL: THE WORK OF REPRESENTATION QUESTION 1 The approach that Saussure adopted to understanding representation as a sign system is called ‘The Semiotic Approach’ or ‘Semiotics’ (HALL 1997: pg 31) Question 2 The sign The sign can take different forms such as: sounds, images, objects and so on. However, signs only really become signs when we invest meaning into them (HALL 1997: pg34). The sign consists of multiple attribute... ...the keys’, in simple- history is recorded by the victorious and those on top will filter, give access to and withhold information of their choosing.  Reference list 1) Biko, S, 1988. Some African Culture Concepts. In P.H. Cotzee et al (eds) Philosophy From Africa. London: International Thompsen publishing 2) Fritz, F. 1937. Die Judenfrage im Unterricht. Nà ¼rnberg: Der Stà ¼rmer-Abteilung Buchverlag 3) Hall, S. (ed). 1997. Representation: Cultural Representations and Signifying practises. London: Thousand Oaks; New Delhi: Sage publications in association with Open University. 4)McLuhan , M. 1964. Understanding Media. McGraw-Hill: Canada 5) Peter Gabriel, Biko, 1980. real world music Ltd, EMI music publishing. Courtesy of PeterGabriel.com 6) The Concise Oxford Dictionary of current English, 1990. 8th edition. Walton street, New York, Oxford.