The Battle of Algiers: Terrorism, torture & ethics The Battle of Algiers The Battle of Algiers, order by Gillo Pontecorvo, produced in 1966 depicts the 1950?s Algerian war of emancipation with chilling authenticity. Cast almost entirely with nonprofessional actors, and shoot in documentary neorealist style in the serpentine alleys, stairways and archways of Algiers?s Muslim Kasbah. Pontecorvo used newsreel film stock, telephoto close-ups, and a percussive, hard-driving musical theater score to create a swiftly moving political thriller (Hornaday). It is an anatomy of terror and counter terror that remains unsurpassed (Rainer).
The film does not romanticize terrorists, demonize the French, or valorize furiousness in the name of some sort of people?s revolution; instead the director goes at once deeper and higher, examining distributively side?s motives and contradictions (Hornaday). Bombs and bullets do not choose their tar blend ins, individuals do, both sides do savage things and both can supply...If you want to get a full essay, order it on our website:
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